Graffiti Art Generator

Style guide · wet & running

Drip letters

Wet paint that will not stay put: drips gather under every bar and run, turning clean letters into something that looks painted seconds ago.

Where the style comes from

Drip letters imitate an accident every spray painter knows: too much paint in one spot and gravity takes its cut. On real walls the sag is a flaw, but drawn deliberately — evenly, in the right places, on purpose — it became one of graffiti's most recognisable decorative styles, adopted everywhere from album covers to sneaker drops.

The reason it works is contrast. The letters themselves stay constructed and readable, and the drips are pure behaviour — the moment gravity gets hold of wet paint. A style that pairs engineering with an accident is inherently lively, which is why drip lettering keeps coming back in fashion every few years.

How it is built

Build the letter normally first

Every drip style is a normal style plus gravity. The skeleton and the weight follow the usual rules, and the letters must read perfectly before a single drop falls.

Hang the drips from heavy places

Drips fall from the lowest edge of a bar — the bottom of an O, the tail of a Q, the underside of a long horizontal. A drip growing out of the side of a stroke looks wrong instantly.

Give each drip its own length

Real runs stop when the paint runs out, so lengths vary: one long runner, a couple of medium falls, some letters clean. Identical drips in a row read as a pattern, not as paint.

Finish every drip with a bead

The drop at the bottom is round and slightly heavier than the tail — that bead is what makes a drip look like liquid rather than a stripe. Tails taper, beads swell.

Where it goes wrong

  • A downpour instead of a drip — when every bar end drips, the word sits in a curtain of paint and the letters drown. One or two drips per letter is a style; five is weather.
  • Drips off the wrong edge — anything falling from the top or the side of a stroke breaks the physics the whole style depends on. Gravity only pulls down.
  • Identical copy-paste drips — the same length and bead repeated across a word looks manufactured. Vary length, width and spacing.
  • Drips crossing other letters — a run that slides over a neighbouring letter muddies both. Drips fall into clear space or all the way down.

Try it in the generator

The Dripping style adds the runs automatically, tuned per letter so no two fall alike. Bubble and Spray Paint are the neighbouring wet-paint styles — try the same word in all three and watch where the paint decides to go.

Drip Letters — questions

How many drips should each letter have?

One or two, with some letters left clean. Drips read as a moment of gravity, not as a texture — the moment every bar end drips the word turns into a melting row and loses the contrast that makes the style work.

Do drip letters work in every colour?

They work best in colours that plausibly look wet — saturated fills with a darker outline. Very pale fills lose the bead at the bottom of each drip, which is the detail that sells the liquid effect.

Are drip letters the same as melting letters?

The terms overlap heavily. Melting usually implies the whole letterform sags, while drip lettering keeps the letters intact and adds only the runs underneath. Most styles marketed as melting are drips with a slightly longer tail.

Make your own drip letters

Type a word, pick the Dripping style, and export a PNG or true vector SVG — free and entirely in your browser.

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